#i should really finish and post chapter 2 i just hate writing the connective tissues lmao

[dbphantom]

bl3 h2o au is 167 pages condensed [no notes/plans, just pure writing without breaks- the actual document is about 260 pages tho]

ffxv h2o au just hit 145 pages condensed

SOON.

[box-dwelling]

So I wanted to make a pinned post compiling every post I've made that I have any intent at all to do anything with as a fan work.

Most of these are just drafts currently but as stuff gets released I'll edit this post and reblog with the news.

This post is long so the info will be under the cut but as a contents:

Franmaya Narumitsu Kids Au

Turnabout Orca

Ace Attorney DnD

Narumitsu Enjoying Art

Trucy V Kristoph

PTA Narumitsu

No Children Krisnix

Narumitsu Who Wait Too Long

Full Breakdown of My Plan For a Fic EU:

-Untitled Disbarment -Untiled Turnabout Trump Missing scenesand Fallout -Untitled Hell -Turnabout PTA -A Stray Turnabout -Turnabout Orca -A Christmas Turnabout -Untitled DnD -Turnabout Date -A Family Turnabout -The Perfect Wedding Turnabout -2 Bonus Fics

FranMaya Narumitsu Kids Au

Original post - full AU breakdown. Warning it's long

Ask about the Richards relationship to his sisters

Plan:

I'd love to do some fun comics. Maybe a fic but it would be a bitch to format as such. May become a series of drabbles instead

Current status:

No words on the page for fics. Ideas planned for comic but I'm really not happy with my art style at the moment and struggling to get someone drawn that I don't instantly hate and want to restart. Happy to take ideas to expand on this AU with questions

Turnabout Orca

Original post - Concept Breakdown

Additional post - Additional discussion of concept

Fic link

Plan:

Fic. A part of my larger series I have planned that I don't talk about that much here but separate enough to be posted on its own before the rest

Current Status:

Chapter 1 published. Chapter 2 needs edits but could honestly be posted whenever. I just keep procrastinating. I had ideas for a chapter 3 when playing this case but don't remember what it was so I'd need to replay the case.

Ace Attorney DnD

Original post - Character role breakdown

Character sheets

Plan:

A spin off midquel of a fic within my extended fic universe

Current status:

Ugh. So. I have a Klapollo Christmas fic within the previously mentioned extended fic series. There are 4 fics I need to post first or else it will make no sense.

The fic itself has a good amount written but is not finished but I probably could write the remaining scenes pretty easily. I would love to post this at Christmas but erm. We'll see.

I could cut down the previous references and just have it all be out of order as I post.

The first fic is a good good way done.The second is short sweet and basically done. The forth is a short sweet fluff fic that's not got too much written yet but should be easy enough to bang out. The third one is a complete god damn shitshow that I'm really unhappy with at the moment. I want to rearrange a tone of stuff before I post it. There's some stuff in there I adore. Then there's other stuff I hate and want to cut out immediately but can't because the stuff I like its currently dependant on it. It's got no coherent structure. There's a million things I want to cover in it but not over riding theme. A lot of the later stuff hinges on events in this one so I can't just completely kill it. It's overstuffed and just a complete Trainwreck. I recognize that what I post doesn't have to be good and this is a fan space but I genuinely don't want to put this out there in this state. Like to explain what a state it's in its currently dealing with a mirror to FmT, sibling reveal, setting up Klapollo, Manfred's execution, Narumitsu proposal, another thing on this list, AJ fallout, and Edgeworth's promotion and very very little connective tissue between these concepts.

This is relevent because the DND fic is kind of a midquel to said Christmas fic so need to come out after it.

Idk guys Christmas sounds a little too optimistic. I may post the Christmas fic very very late.

Narumitsu Enjoying Art

Original post - concept breakdown

Plan

Included in a part of one of the fics in the extended fic universe

Current status

Hey so remember what I just said about the third fic having a planned segment for another point in this list. Suprise guess which one it was. This one. So yeah development hell. I've not even written that part yet because even opening that doc demoralises me. Will it be in the end product? I literally have no fucking clue. It's linked in with the FmT mirror segment which is the most likely to get the axe and also the hardest to fucking cut so just ugh.

Trucy V Kristoph

Original post - beginnings of concept

Extended post on this idea - concept breakdown

Plan:

Finally, its own thing. A multi chapter canon divergence fic

Current status:

Honestly doing pretty well. I've got like 3 chapters written but am struggling to know where to go from where I am. Kind of on hiatus but I could also just post what I have so far and then have it be a more public hiatus.

PTA Narumitsu

Original post - concept discussion

Plan

Fic. Similar to Turnabout Orca in that it fits within the canon of the extended fic universe and may get plonked in there as a series but works as a stand alone

Current status:

One scene written. I have ideas but it's a hard one to get motivated to write. I love the concept but it's just not the document I instinctively open up.

No Children Krisnix

Original post- lyric by lyric scene description

Link to homeforall's own version of said idea

Plan

Animatic

Current status

I have done a handful of scenes but I'm having the same issue I was with the Au comic. I just need my art to be a bit better to feel comfortable.

Narumitsu Who Wait Too Long

Proper concept breakdown

Related prior post

Plan:

It's own fic as its own thing but also a general feeling and concept I try to bring in whenever I write 7yg stuff

Current status:

A brief scene written as its own thing though I may change it to go a different way because I have being think about it more. Also a theme I have in the first of the extended fic universe stories

Aforementioned extended fic universe

Ok so this one is more complicated because I don't really have posts for it but I did want to break it down for me and for future reference.

1: Untitled: Disbarment

Concept:

Begins with some small stuff during the trilogy, Choosing death, forbbien hospital scene and what not but is primarily about Phoenix's disbarment. Narumitsu fic mainly but there's a good deal of Franmaya and also some deeply toxic Krisnix.

Status:

A lot written but missing a lot of connective tissue and I want to put in some fluff padding at points. Also there's probably a smut scene or two that I want to write but have been putting off.

2: Untitled- Turnabout Trump Missing Scenes and Fallout

Concept:

Kind of tieing some loose ends from the last fic with some headcaons I have about this case in particular. Short. Probably a one shot. Could be an epilogue to the previous but I think will be worth publishing as its own thing.

Status:

Basically done. Need to be published in order.

3: Untitled Hell

Concept:

After Turnabout succession Phoenix goes to Europe with Edgeworth and Trucy and Apollo stay behind to take a case. When Apollo is writing up his journal notes from the Misham Trial they look through Phoenix's paper work to clear up some loose ends and find out a lot they didn't know. Meanwhile stuff gets more and more out of hand in Europe

Status:

Already said. Absolute hell.

4: Turnabout PTA

Concept:

When Edgeworth gets promoted to Chief Procecutor, Phoenix takes him to the PTA to show off. Chaos ensues

Status:

Already said. This and turnabout Orca are the only ons before the Christmas Turnabout that doesn't have to be posted before it. This one could probably come out on its own but it's best after the 3rd fic

5: A Stray turnabout

Concept:

Short sweet fluff fic. Athena meets her Boss's fiance. Edgeworth worried about Trucy's grades. Phoenix adopts a stray puppy. Apollo gets to subject the agency to one of his special interests

Status:

Like half written and the other half is inmy brain. It's just not been a priority.

6: Turnabout Orca

Concept:

Turnabout reclaimed from Edgeworth's perspective

Status:

Already said. Will be posted when it's posted.

7: A Christmas Turnabout

Concept:

Just after the end of dual destinies, Apollo invites Klavier to the Wright-Edgeworth Christmas party given that his previous plus one is now dead. It's the obligatory Klavier joins the found family and gets "forgiven" (read: realised he was never blamed I'm the first place) for Phoenix's disbarment fic that I always eat up. Also dealing with the fallout of DD and Clays death and Klavier's fallout after AJ. Big ensemble cast. Angst and fluff.

Status:

Solid half way done

7.5 Untitled DnD

Concept:

Some for the cast are bored and unable to sleep on Christmas Eve so Trucy runs a Christmas one shot for their DnD party.

The idea for this was that all the family members have a DnD character but it's kind of expected that not everyone can always make it. So it's an induction for Klavier and Simon into the fold by making their characters and joining in. The players for this fic are Klavier, Apollo, Simon, Athena, Kay, Pearl and Sebastian. Maya, Phoenix, Ema and Edgeworth all also have characters but aren't present for the game for reasons that make sense in context.

Status:

Already said

8: Turnabout Date

Concept:

A direct sequel to A Christmas Turnabout taking place a day or so after that one leaves off. Klavier has asked Apollo on a dated to an intimidatingly fancy restaurant.

Meanwhile as the anniversary of DL6 draws closer Edgeworth ends up giving up and giving the prosecutors office a holiday break until the New Year. In turn Phoenix gives the WAA the time off too given the stress of the last week. Both offices decide to help their respective idiot in love prepare for the date. Though the weird girls of Maya and Kay end up on the opposite of their usual sides as Phoenix needs requests the aid of everyone's favourite great thief and Maya get caught up in the chaos after an attempt to seduce her girlfriend.

Status:

About a third written. I'm really really fond of this one though.

9: A Family Turnabout

Concept:

A pair of ghosts from Phoenix's past turn up on the agency door all related to Athena's most recent case. A poisoning in a tea shop that she herself witnessed.

Tensions are high as more than one Wright family member's life hang in the balance. As Phoenix's mental state grows slowly more unstable, his relationship with his daughter is put to the test.

While Athena and Apollo butt heads about how much their powers are to be trusted and ask they begin to learn more and more about the mysterious group the victim and defendant belong to, Phoenix's protegee are forced to ask serious questions about what justice really means and if the WAA's tactics in court are really moral and safe.

Status:

Hey idk if you can tell. This is my favourite. If I could just post this and focus on it I would. Unfortunately it needs a lot of fucking context. Stuff that's fine to just be explained to a reader who knows they can learn more in other available fics but will sound insane if not. How much is written. A whole lot. The stuff that's missing is the case fic stuff but I know exactly what I'm doing with that now so it just needs to be properly written out. There's probably a few posts I could have linked to put this bad boy on the mentioned works in progress section but that would probably spoil it a bit and I don't want to do that.

10: A Perfect wedding Turnabout

Concept:

Narumitsu wedding. Big old ensemble piece. Stuff will get crazy but I don't want to spoil anything. But those two could never have a normal wedding come on.

Status:

This was like the 3rd fic is started writing and well. It shows. I don't love how a lot of it reads. I want to rewrite a tone. But there is a lot already on the page. The other 2 I wrote this early were a very early draft of the first fic which has been revised enough to be fixed and then the 3rd fic which is the bane of my existence. I like the plot concept I have. But I worry about the prose. When I wrote this is had been a long ass while since I'd tried to write a big cast like this and it fucking shows. Also just the character voice is off. It's kind of expositiony. It's not as unsalvageable as 3 it's just not there yet.

2 Bonus fics

Status:

Completely unwritten

Concept:

I kind of want to do a narumitsu fluff fic of them buying a house together and putting up furniture after 3 and I wouldn't mind a reunion faraskye fic before 3. But the benefit of me having written nothing and having planned nothing is that they have no vital link to the others so they can just be punished whenever and I'll say where they are in the timeline.

[serendipitous-magic]

what's your writing process like? do you plot things out beforehand? or do you sort of write it as it comes? a mix of both?

Depends on what I'm writing!

In general I'm a planner. I can't write from a blank page, unless I'm just like... really really captivated by whatever I'm writing, which was what happened with the first chapters of both The Art of Living Your (Second) Life and The Partnership Plan.

a) In general, if it's a fanfiction I'm writing, I tend to build the plan as I write - meaning, oftentimes I'll be inspired to write the first chapter, and I'll write that with little idea what the rest of it will be. Or, even if I have an idea what the rest will be, it's more of a vague skeleton than a full plan. And then, as I continue to write, I think more about where the story is going and I continuously add to and refine my plan kind of alongside the actual writing. In this way, the plan grows at the same time that the actual chapters do - but because the chapters take significantly longer to write than planning does, the plan outpaces the "real" writing and I usually know the basic story arc from fairly early on. Then it's just a matter of fleshing it out, adding detail, writing down scenes I thought of, etc. And then when I get to that point in the actual writing, I have a framework in place already.

-_-_-

b) Sometimes for fanfic, I have a more complete plan upfront - although I use "complete" here to mean "from beginning to end," not "completely detailed." So, more like a full skeleton than a full body, if that makes sense. I did that with Roll for Strength. What usually happens is that my plan will look something like...

...

Chapter One

-Will suspects Mike has a girlfriend and is kind of put out about it but thinks he's over Mike so he tells himself he doesn't care

-Will walks in on Mike and his BF (name??) and has a crisis (they don't see Will, so Will knows about Mike but Mike doesn't know that Will knows)

-Will might get off to that later, guiltily? (Or move to chapter two)

Chapter Two

-Do Mike's POV to tell about how he ended up dating a guy, how he got very disillusioned with the world after canon events and got into a "fuck it, the rules don't matter and I hate them anyway" mentality, which eventually snowballed into him kind of realizing and accepting his sexuality earlier than usual fanon

-Also introduce BF (name??) in a scene

-Set time and place - season should set the mood if not already mentioned in Ch 1

-Maybe also do BF's POV briefly to introduce him?? Or leave that for later

...

Etc.

And that's the original skeleton plan. And then it gets expanded upon more and more and more as I continue to think about the story, sometimes even with full pages' worth of unbroken text blocks as I get inspired and start basically thought-vomiting an entire scene. So by the time I get around to actually writing it, it might look like the above, or it might be a few steps shy of an actual draft already, depending on how much I've thought about / worked on that part.

See #5 in this writing advice post to see what I mean about a "thought vomit" draft.

-_-_-

c) Here's the thing - the above was for fanfic, or for short stories, or stories that I'm just kind of having fun with.

For original stuff, I adhere much more tightly to the "rules," because the guidelines for original work (that you might try to publish in the actual publishing market) are much stricter - and for good reason! Fanfiction is a sandbox, and we're all invested in the characters and worlds and settings already. We're all reading and writing fanfic because we already love these characters and this world, and we just want to play in it.

It's a different situation with original novels that you hope to publish. The plot, pacing, tension, and story beats have to be much, much tighter and more polished. Because people reading original work have no prior reason to be invested in it or care what happens - that's work that you have to do. For fanfic, that work was done for you by the original thing. Not to mention, the publishing world is so absolutely choked with competition, and the emphasis lies so heavily on sales, that if your book isn't fucking top-tier compelling, no publisher or agent will take a second look at it. Which is kind of unfortunate, because there's value in slower, more relaxed, more reflective storytelling, too - it's just not what capitalism has decided to value, which is sad.

But anyway.

When writing an original thing, I basically need a full plan - beginning to end, covering all plot points. Not necessarily all the details, just all the plot points - I need a skeleton and I need connective tissue. The rest comes later. But to start, I need to know what happens, why, and how the characters get from event to event. I need to know the physical story events, the emotional beats, and how those things logically flow throughout the story.

Some people can write without this and it still turns into a compelling story, tight narrative, etc. I envy these people. I have all respect for these people. I cannot do this. If I write original work with no plan, and especially without at least like 50-75% of a plan, I end up with something slow, meandering, and kind of limp. No bueno.

So, I usually use a beat sheet.

What's a beat sheet?

It's a 15-beat plotting structure used by screenwriters. And, yeah, technically it's for movies / screenplays. But storytelling is storytelling. And it's highly flexible. (And my favorite professor ever taught it to me in college so you can pry it out of my cold dead hands.)

Google it. It's what I use to make sure my (original work) plots are tight, have momentum, have a satisfying character arc, etc.

Okay, okay, I'll paste the basic structure below just so you can see wtf I'm talking about:

-_-_-

-Act I:

1) The First Frame

-What is the first thing we see? This should be a snapshot of the main character’s problem, before the story begins

-Ex: the Star Destroyer in A New Hope

2) The World Around Us

-What is the main character’s world like at the beginning of the story?

-What is missing in the main character’s life?

3) State the Theme (sneak this into The World Around Us)

-What is the story secretly about? This should happen during The World Around Us

4) Inciting Incident (smol tentpole)

-What happens to put the hero on the road? This is where the hero’s life changes forever.

5) The Hero Questions

-1st introspective moment

-Can the hero really do this? Should the hero chicken out?

-Oftentimes the hero fails at something

-Ex: Luke gets his ass beat by the raiders

-Act II:

6) Crossing the Threshold / The Emotional Hurdle (big tentpole)

-The main character makes a choice

-Beginning of Act II

7) The B Story / The Love Story

-Introduced here

-Often but not always a love story

8) Promise of the Premise

-Fun and games in the world you promised

-Horror movie? Creeps here!

-Sci fi? Space battles!

-Animation? Shenanigans!

9) Midpoint (big tentpole)

-The hero finds out that what they want is not what they need

-Luke rescues the princess - turns out that’s not really what the story was about

10) Bad Guys Close In / Throwing Rocks

-Events conspire to tear the hero’s goal to shreds

-Wesley is mostly dead, Inego is drunk, Fezzick is part of the brute squad

-This is the other side of the fun and games coin where things are no longer fun

11) All is Lost

-Something super bad happens, and that goal is impossible

-If someone important is gonna die, it’s probably now

12) The Pit of Despair (smol tentpole)

-The hero mourns the death (if someone died) and wallows in his/her lowest point

13) Inspiration

-A fresh idea

-Act III:

14) Come and Get Some / Final Confrontation (big tentpole)

-The final confrontation - the final showdown

-A and B stories wrapping up at the same time

-The theme makes sense and the battle is engaged

15) Final Frame

-Opposite of the first frame

-The hero is changed

-_-_-

It's what I use. But hey, you don't have to. What works for me might not work for you.

I'll finish this off by pasting in a section of actual real-ass planning I have open in a document for one of my novels at this moment (it's giving me the evil eye, I swear) so you can see what I kind of mean by "thought vomiting." Also note that in my actual document, the bullet points are indented incrementally to be kind of "nestled" underneath the relevant points, if that makes sense, and that it's a whole eye-watering mess of different colors. But for Tumblr, it's this:

-_-_-

-You have to be rescued by the rest of the team, because you fell down that hole - and you are, eventually, after screaming yourself hoarse some more (plus it’s been like an hour or more now, so they have since noticed that you were missing)

-I could gloss over this, like end the chapter when you run away, and open the next one with “It takes another half hour of screaming your throat nearly bloody before the team finds you,” or something

-They berate you for chasing after ghosts - you say you didn’t find anyone down there, because you know for damn sure nobody’s gonna believe what you think you saw, and you don’t even think you believe it

-This leads to a trip to the local doctor (a clinic, probs, akin to UrgentCare), which you’re not happy with because that’s more people taking notice of you

-However, you’re also going through the change in mindset here - see below

-Note: I as the writer don’t have to worry about the paperwork or whatever that you’d normally have to fill out, getting hurt on the job, because you weren’t officially hired - however, it would be a good “humanity is okay” moment if the guy who hired you came in and helped you with the medical expenses because he felt bad - he’d also probably be a little nervous about you suing or something, but you assure him that you have zero interest in that

-I could include a funny line where the guy says he’ll pay for your doctor bill and you try to say no (being indebted to someone is bad news for you) but he insists, because he says he feels responsible, and you just kind of stare at him and then blurt, “Do you need me to kill anyone for you?” (Something you probably regret as soon as you say it, not because you expect him to accept but because you abruptly remember what happened two days ago.) (Would it be too much to also add like “You want me to murder anyone for you? You want a blowjob? I will do anything,” and he gets flustered and bats it off like “Nah, nah, nah, chill out. You’re crazy, man.” And insists that you don’t need to pay him back)

-Here’s a decision I have to make - does the guy pay for your doctor bills as well as paying for your work today (leaving you enough money to potentially split town, but you decide not to), or do you have to pay the $2,500+ in doctor bills with no insurance for the injury, which raises the stakes by depleting all your money?

-I think I like Option A best, because it gives Sam more agency as a character if they decide to stay despite having the option to leave, versus them just being stuck completely - plus I don’t know how else I’d be able to explain away you having money for the hotel

-The guy who hired you pays you for the work day here - and maybe, just maybe, that gives you barely enough to buy that used car (although, why would it? It couldn’t have been more than like $200 for 8 hours of work, maybe $300 if he was really really desperate - if it was a really cheap used car, that might give you barely enough to buy the car but literally nothing left over)

-Point being, maybe you have enough money to bolt now, if you chose to - and you have to make the choice not to

-The car you found might be a $1,500 Honda Civic (or Jeep or whatever) with a dead battery, and the guy selling it says it should run fine with a new battery, which you Google (apparently it would be somewhere in the range of $100-$200) - maybe you think of how nice the mechanic was for you and wonder if you could cut a bit of a deal with him, if you get this car - and if the guy pays for your trip to the doctor and pays you for the temp work, this could just tip you into the margin of being able to afford the car, if you haggle with the seller

-_-_-

Or another example, with more actual sentences:

-_-_-

-As you approach the trailer you start to register a smell that turns your stomach - something like a porta potty and something like the sharp tang of rusting metal. It makes you pause - maybe there really is someone in there, using the place to live whether there’s a sewage hookup or not - it wouldn’t be the weirdest thing you’ve heard of. But after standing for a bit, silent and listening, and then hiding behind a large tree to chuck a rock at the vehicle to no response, you continue forward. You’ll just have to be cautious. Your spirits lift when you see the door. It’s completely grown over. (Leafy vines lace over it, tangling in the handle, yellowing and unbroken. If someone is living in there, they’ve been using the window to come and go, and that doesn’t seem all too likely. Bolstered by a new swell of confidence, and picturing the unlikely riches you might find stashed away in a cabinet or a glove compartment, you cross the last few feet towards the shape.

-You find the body and recognize it as one of the two obnoxious vlogging dudes from the motel

-I’m kind of imagining the moment of discovery like the wardrobe moment in Narnia where, during your nice forest trek, there’s been some pleasant acoustic music playing (like All the Pretty Girls by Kaleo maybe) and then it just stops abruptly in the middle of a phrase, maybe echoing slightly, when you see the body, and all at once everything is sickly silent.

-Oh dude, maybe you continue thinking it’s a duffel bag (possibly feeling pretty upbeat, though cautious until you’re literally about to step over it, and then you happen to glance down and get a sickening, chest-slamming shock when an empty human face is staring up at you

-Note: there should be mushrooms growing in, on and around the RV, because mushrooms are Creepy

-You go to investigate the RV

-Maybe you recognized the body as one of the vloggers and you’re trying to see if his friend is around - or maybe, in a kind of sick daze, you short circuit and find yourself doing the only thing you can think to do: continuing along your trajectory, stumbling towards the RV and tearing the rusted-out door free from the lattice of brittle vines that held it in place (this is what alerts The Dude that someone has been here), like if you just get to your original goal that’ll fix everything - somehow, if you just keep moving forward on the track you set out on, that thing won’t be real anymore - at the very least you have to get inside, to put a door between you and the body, like you’re pulling the blankets over your head to shield yourself from the boogeyman. Just as long as you’re not out there with, with...

-_-_-

Anywho, I'll stop.

I apologize again for... (scrolls up for a million miles) all of that, but you asked me about my passion and now you pay the price, lmao.